“Out of the half-dozen canvases he painted in 1954 in Rauschenberg’s studio in Fulton Street, Cy Twombly only spared Panorama.” Eric Watier comes up with an inventory of work destructions. Either seldom or daily, these actions may be spontaneous or carefully thought out throughout an artist’s life. Either expected or radical, these practices shed new light on the evolution of these artists’ production.
L'inventaire des destructions (post-scriptum) 06.04.2011
Eric Watier | 40 p. | 204 x 289 mm
Photocopies, First Edition | ISBN 978-2-940409-42-6
Out of Print