The strike at the Joint Français factory began in the artist’s hometown as the starting point of a series of historical conflicts. Corps 72 is witness to a year of “revolution cinema” production. From “L’amour l’après-midi” to “Votez McKay” to “L’assassinat de Trotsky” and many others, Stéphane Le Mercier encourages us to re-read history in the titles.

Corps 72 06.04.2011
Stéphane Le Mercier | 40 p. | 204 x 289 mm.
Photocopies, First Edition | ISBN 978-2-940409-40-2
Out of Print