Donald Judd’s maxim “A form that’s neither geometric nor organic would be a great discovery” is the common thread that underlies Tatiana Rihs’s notepad. As trained graphic artist, she has engaged in the artist’s quest. Her research sends us to a universe in which geometry gets rid of its reference marks, voluntarily or not. From hybrid Op Art to the constructivist confectioner, do we know which track to follow?
A form that’s neither geometric… 11.08.2009
Tatiana Rihs | 45 p. | 204 x 289 mm
Photocopies, First Edition | ISBN 978-2-940409-19-1
Out of Print